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What Is Figurative Language in Literature? Explained with Examples
You can find things like metaphors, similes, and personification in poems, plays and novels. These tools make writing more interesting and easier to connect with. So, you can enjoy it more once you learn how figurative language works.

It also helps you understand the writer’s message and improve your own writing. This guide explains to you everything about figurative language with excellent examples.

Key Highlights
Figurative language uses creative expressions to make writing more vivid and emotional.
It helps you say more with fewer words by creating strong mental images.
Unlike literal language, figurative language adds depth and invites deeper thinking.
Common types include simile, metaphor, personification, hyperbole, and symbolism.
You often see figurative language in books, songs, poems, and daily conversations.
It strengthens storytelling by building emotions, shaping characters, and enhancing the backdrop.
What Is Figurative Language?
Figurative language uses words in creative ways. It helps writers go beyond plain meanings to make their message stronger.

According to Merriam-Webster, figurative language definition is “Language that consists of or includes figures of speech such as metaphors and similes.” So, it’s not about what the words say, but what they mean.

You see this in stories, poems, and even everyday talk. For example, if someone says, “Time is flying,” they don’t mean it has wings. They just feel time is moving fast.

Figurative vs. Literal Language
Literal language says things exactly as they are. Figurative language needs you to think more.

Literal: “It’s hot today.”
Figurative: “It feels like a sauna outside.”
You can see the difference, as the second sentence creates a stronger image.

Therefore, figurative language invites you to imagine, feel, and connect. It makes basic writing into something more powerful. And you’ll see it everywhere in books, songs, and even your own thoughts once you start noticing it.

Figurative Language in Essay Writing
In essay writing, figurative language is useful but must be used with care. It can make complex ideas easier to understand through analogies and metaphors. For example, saying “Memory works like a filing cabinet” helps readers visualise how we store information.

However, many students struggle to use these expressions effectively in essays. Some students overuse it and make phrases unclear. That’s why most of them prefer to consult expert essay writing services like The Academic Papers UK. Their professionals know how to use figurative language that makes essays more engaging and winning.

Types of Figurative Language with Examples
Figurative language is one of the most powerful tools in literature. It helps writers express thoughts in a creative and emotional way. When you read a story filled with figurative expressions, it paints clear and colourful pictures in your mind.

Here are the most common types of figurative language with examples.
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Quiet Patterns Beneath Everyday Lights

Urban observers often note how leisure habits reveal wider cultural rhythms. In Central Europe, discussions about the Slovakia slot player behavior are frequently framed through sociology rather than chance or reward. Researchers describe how many visitors approach entertainment halls as predictable routines, shaped by after work schedules, regional etiquette, and shared expectations about time spent indoors. The focus is less on outcomes and more on atmosphere, where lighting, sound design, and spatial layout influence mood. In Slovak cities, casinos appear as late evening meeting points, especially during colder months, offering warmth, conversation, and a sense of familiarity. Regular visitors often value continuity, preferring known machines and recognizable staff, which reflects a broader cultural comfort with repetition and stability. This behavior mirrors patterns seen in cafés or community centers, where presence matters more than performance. From this perspective, the slot player becomes a figure of habit, not risk, illustrating how structured environments shape social conduct. Designers and cultural analysts alike examine these spaces as controlled interiors, comparable to theaters or concert halls, where behavior follows unspoken scripts rather than impulsive decisions.

Beyond observation of modern interiors, European culture has long used gaming imagery as metaphor. Gambling symbolism in European literature rarely serves as instruction; instead, it acts as a narrative device to explore destiny, identity, and moral tension. Writers from different eras employed cards, dice, or spinning wheels to suggest the unpredictability of life, contrasting human intention with external forces. In nineteenth century novels, gaming tables often appeared in salons to expose class anxiety and social ambition, while modernist authors transformed these symbols into abstract reflections on uncertainty. Even when casinos are mentioned, they function as stages where characters confront themselves, not as endorsements of play https://scribo.sk/ The imagery allows authors to compress complex emotions into familiar scenes, enabling readers to recognize fear, hope, or obsession without explicit explanation. Across languages and regions, this symbolism persists because it communicates risk and choice in a visually immediate way. Thus, European literature turns gaming motifs into cultural shorthand, revealing how societies negotiate control and chance through story rather than experience. This literary tradition also influences contemporary criticism, where scholars compare fictional settings with real urban venues. By examining language, symbolism, and spatial description together, they show how everyday environments inspire enduring narratives, and how readers continue to interpret these images as reflections of social order, personal routine, and collective imagination across Europe today. Such analysis bridges history and modern observation, linking lived spaces with symbolic storytelling practices worldwide today.

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Genshin Impact 6.0 Banners Revealed: Lauma, Nahida, Flins, Yelan & Aino

As the Genshin Impact 6.0 version is drawing near, players' excitement for the new - version banners is reaching new heights.



Today, we bring you detailed spoilers of the first - phase and second - phase banners in Version 6.0, to see which characters will be available for summoning!!



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| Genshin 6.0 Banners


First - Phase Banner: Lauma + Nahida


-Lauma



Lauma is a brand - new 5 - star Dendro Catalyst character making her debut in Version 6.0. She comes from the mysterious Frostmoon Scions. Her skill mechanisms revolve around the innovative "Lunar - Bloom" reaction.



In terms of skill effects, when you hold Lauma's Elemental Skill, it can consume Dewdrops to deal Lunar - Bloom damage and grant herself the Moon Chant effect.

Meanwhile, the field she activates can reduce enemies' Dendro and Hydro resistances for as long as 15 seconds. Her Elemental Burst enables all party members to increase the damage of Bloom - type reactions based on their own Elemental Mastery. As a dedicated sub - DPS and support for Bloom - type reactions, her appearance is expected to introduce brand - new gameplay and strategies to Dendro - themed teams.



-Nahida




Nahida, the little Dendro Archon, has already amassed extremely high popularity in the previous stages. Her powerful support capabilities and adorable image are adored by players. In the team, Nahida mainly provides strong Dendro application and damage - increasing effects, which can greatly boost the output of Dendro - using characters.



In Version 6.0, the synergy between Nahida and Lauma is remarkable. Nahida's stable Dendro application can help Lauma trigger the Lunar - Bloom reaction more efficiently. The combination of these two characters is definitely worth the attention of Dendro - loving players.



-Aino




Aino, the 4 - star accompanying character in the first - phase banner, is a cute loli from Nord - krai. She is also a genius mechanical inventor at the "Ding - a - Ling Clangy Egg Roll Workshop". With her outstanding mechanical talent, she can assemble various sophisticated machines using discarded metal parts, and Ineffa is one of her representative creations.



As the first loli character in Nord - krai, she wields the Hydro element and plays an important role in the new elemental reaction system of the 6.0 version.



For players eager to add Lauma and Nahida to their roster, we've prepared exclusive character guarantee gift packs to enhance your summoning experience.







These packs offer great value and can help you secure these powerful Dendro characters more smoothly, ensuring you don't miss out on their amazing synergy in battles.



Are you quite interested in the first-phase banner characters? If not, why not take a look at the second-phase banner? The second-phase banner is also wonderful and rich.



Second - Phase Banner: Flins + Yelan


-Flins




Flins is a brand - new 5 - star Electro Polearm character. He is proficient in creating Electro - Charged effects. Judging from his in - game performance, his combat movements are smooth, and his skill special effects are gorgeous.



In battles, Flins is expected to become another powerful Electro - damage dealer with his unique skill mechanisms. His addition enriches the Electro - character lineup and provides more team - building possibilities for players who prefer Electro - damage.



-Yelan




Yelan, a popular character from Liyue, is being rerun in this version, which has attracted much attention. Yelan has extremely high mobility and powerful off - field damage - dealing capabilities. Her skills allow her to move nimbly in battles and continuously deal considerable damage from the off - field position.



Whether in Abyss challenges or daily exploration, Yelan can play a crucial role. Her rerun in the second - phase banner of 6.0 provides an opportunity for players who missed her previous banners to obtain her.





| Genshin Sumeru Chronicled Wish Banner


In addition to the new and rerun characters in the first - and second - phase banners, Version 6.0 will also launch the Sumeru Chronicle Wish Banner. This banner will likely include six Sumeru characters: Cyno, Alhaitham, Nilou, Wanderer, Dehya, and Tighnari (Nahida will not be in this banner as she is being rerun in the 6.0 main banners).



For players who are fond of Sumeru characters, this is a rare chance to obtain their favorite characters. The weapon pool in the Sumeru Chronicle Wish Banner is also attractive, with powerful weapons like the Hunter's Path and the Beacon of the Reed Sea worthy of players' attention.





| Conclusion


The banners of Genshin Impact 6.0 are truly spectacular. The new characters bring novel skill mechanisms and gameplay, while the rerun characters meet the needs of players who are fans of popular characters.



Whether you are eager to explore new elemental reaction systems or have a preference for classic characters, the 6.0 banners offer a wide range of choices. When summoning characters, it is recommended that players plan their Primogems rationally according to their team's needs and their preferences for characters. May everyone summon their desired characters and have a more enjoyable adventure in Teyvat.



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𝐇𝐄𝐀𝐑𝐓 𝐋𝐀𝐌𝐏 - 𝐓𝐇𝐄 𝐁𝐎𝐎𝐊 𝐓𝐇𝐀𝐓 𝐒𝐓𝐎𝐋𝐄 𝐓𝐇𝐄 𝐒𝐇𝐎𝐖
✍🏼 By Vihangi Wijesekara

The International Booker Prize, one of the most prestigious literary awards that a work of fiction translated to English could receive, announced its 11th titleholder on the 20th of May, 2025. The honour of being awarded the prize for this year's winning book 'Heart Lamp', was given to two talented individuals, author, Banu Mushtaq and translator, Deepa Bhasthi, both of whom are Indians.

Held at London's Tate Modern, the 2025 award ceremony appreciated all the nominees and their nominations who eyed for the prize, most notably 'A Leopard Skin Hat' by Anne Serre, 'Perfection' by Vincenzo Latronico and of course, 'Heart Lamp'.

'Heart Lamp', or rather, 'Heart Lamp: Selected Stories', originally written in Kannada, is a collection of 12 short stories, all revolving around the lives and hardships of Muslim women in Southern India. Written between 1990 and 2023, Mushtaq focuses on the themes of patriarchy, gender inequality and above all, the resillience of all the women who tirelessly fight for change, drawing experiences from her own life. Max Porter, Chair of the 2025 Judges, had claimed 'Heart Lamp' to be, "A radical translation which ruffles language, to create new textures in a plurality of English... This is the book that the judges really loved, right from the first reading...solid storytelling, unforgettable characters, vivid dialogue, tensions simmering under the surface, and a surprise at each turn."

Aside from its astonishing writing and masterful translation, 'Heart Lamp' holds a significant place in the history of Booker Prize winners, being the first short story collection to win the prize, and the first book that was originally written in Kannada to do so. Moreover, this award also marked the first time an Indian translator having won the prize as well.

However, this was not the first time an Indian had won the International Booker Prize. Mushtaq and Bhasthi were preceded by Geetanjali Shree in 2022, who won said prize for her book, 'Tomb Of Sand.'

Delving deeper into the critical response for the book, many found 'Heart Lamp' to be greatly enjoyable with its dark humour, witty writing style along with a translation that remained true to the original. One crtitc even mentioned that Mushtaq's greatness in writing was foreshadowed long before, when another book of her's that explored similar themes as 'Heart Lamp' was adapted into a cinematic production, earning it's lead India's National Award for The Best Actress in 2003. Though some felt that the International Booker Prize wasn't deserved by fiction, but rather, non-fictious works of writing such as biographies and autobiographies, none of them were able to put their finger on a flaw that would deem 'Heart Lamp' unworthy of this prestigious award, proving to the world once again the capability of the book's integrity to steal it's reader's heart.

"My stories are about women," says Mushtaq, when interviewed about her success. "How religion, society, and politics demand unquestioning obedience from them, and in doing so, inflict inhumane cruelty upon them, turning them into mere subordinates. The daily incidents reported in the media and the personal experiences I have endured have been my inspiration. The pain, suffering, and helpless lives of these women create a deep emotional response within me. I do not engage in extensive research; my heart itself is my field of study."

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